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Anayanci Quiros
Madama Butterfly
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ANAYANCI
QUIRÓS, lyric soprano
It was with the overwhelming success caused by her last-minute
substitution in the role of “Butterfly”, at the National
Theater of Costa Rica, in the summer of 2005, that the Costa Rican
soprano Anayanci Quirós conquered the audience of her country
and obtained the highest acclaim from critics and both international
and local experts. Her Butterfly was described by the local critics
as “very emotive” and “particularly moving in
the last scene”.
Gifted with a “magnificent,
potent voice, of a remarkable timbre” and “a natural
and accurate intuition” (“La Nación”
daily, Costa Rica), Quirós has demonstrated vocal, musical
and acting abilities that allow her to perform outstandingly in
concert (Lieder and Spanish song), opera, sacred and choral-symphonic
repertoire and musical theater, in Costa Rica and other Latin
American countries. In 2003, she won the Second Prize at the International
Voice Competition of Trujillo (Peru). Undoubtedly, her innate
talent, capacity and versatility make Anayanci Quirós one
of the most promising Latin American singers of the new generation.
Besides her acknowledged
performing qualities, Anayanci Quirós has successfully
staged operatic works, as founder and artistic director of the
private local company Ópera de Cámara de Costa Rica
(“Chamber Opera Company of Costa Rica”). Not only
has this company fostered the work of lyric singers in her country,
but has staged rarely performed operas in Costa Rica, such as
“Trouble in Tahiti” (L. Bernstein) and “The
Face on the Barroom Floor” (T. Colline). After a Traviata
with local and international casts, in a full house, Quirós
closed the 2005 season with a Lyric Gala featuring Brahms’
“Love Waltzes”. In 2006 she will present “Don
Giovanni”, in commemoration of the 250th anniversary of
the birth of W. A. Mozart. In this production, Quirós will
sing the role of Donna Anna.
Anayanci Quirós
was disciple of the renowned Costa Rican soprano Elena Ma. Villalobos,
at the University of Costa Rica and the National University of
Costa Rica. In addition, she studied acting at the National Theater
Workshop and National Theater Company of her country. At present,
she receives vocal training with the eminent Italian singer and
teacher Oscar Scaglioni, considered the father of the operatic
tradition in Costa Rica.
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